John David Washington is a man on the run on “Beckett”. What he should run is a movie script.
Washington plays Beckett, an American tourist on vacation in Greece, with his girlfriend April (Alicia Vikander). While driving in northern Greece late at night, Beckett nodded, turned the road and crashed into a house on the mountain side.
When he comes, he notices a little boy in the house. He is immediately taken away by a shadowy person. He later wakes up alone in the hospital, died in a crash in April.
Beckett later returned to the crash site and was shot by people with guns, including a police officer who allegedly helped him.
This begins a long chase through Greece as Beckett tries to return to Athens so that he can find safety at the US Embassy.
Greece is a pretty big place, but wherever Beckett turns, wherever it is at the top of a mountain, at a station, in a back alley, or in a park, a villain with a gun isn’t too late. The boy he saw was part of a politically motivated kidnapping, and Beckett has seen too much.
Even at the embassy, he can’t trust anyone. Maybe he should have gone to Italy instead.
“Beckett” is like the Greek version of “Fugitive,” but Ferdinand Chitofiro Marino misses the opportunity to speed up the film. A climax foot chase unfolds at the relaxed pace of the walking tour.
Vicky Krieps appears along the way as a help activist, but the film’s attempt to add a layer of political conspiracy fails.
Beckett takes his step, at least when all of that is done.
No rating: language, violence
Execution time: 1 hour 50 minutes
Viewing location: Streaming on Netflix
Copyright 2021 Tribune Content Agency.
Review: John David Washington Can’t Overtake Bad Metaphor in “Beckett” | Entertainment
Source link Review: John David Washington Can’t Overtake Bad Metaphor in “Beckett” | Entertainment